Rock Shrines 41 - 46

Rock Shrine No. 41 – The Astoria [Nirvana, etc]

Welcome to one of London’s best rock venues: sweaty, dark, a bit seedy. Converted from a warehouse into a theatre and cinema in 1926, it became a live venue in 1986. Everyone has played here, from hardcore classic rock bands (The Rolling Stones, Deep Purple) to the kind of artists (Kylie, Madonna) who appeal to the clientele attending G.A.Y. on a Saturday night. Amy Winehouse showed she can be amazing shortly before she lost control. One of So Solid Crew shot himself in the leg trying to pull a gun out of his waistband in the middle of their set. But for Important Gigs, that honour must go to the debut show by The Raconteurs in 2007 and the UK debut of Nirvana in 1989. The doors closed for the last time last week to make way for a ventilation shaft and expanded Underground station being built as part of a new subway line.



Astoria Theatre, 157 Charing Cross Road, London WC2H 0EL


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Rock Shrine No. 42 – IBC Studios [The Who]


In the 1950s International Broadcasting Company Recording Studios (IBC) was the leading independent studio in London. In the 60s it became home to a roll-call of amazing artists, including The Beatles (who pre-recorded a live TV show), The Bee Gees, The Small Faces, Status Quo, Elton John, Rod Stewart, Jimmy Page (as a session guitarist), Golden Earring, Adam Faith, and Duane Eddy. Like Abbey Road Studio 2 and Trident it was noted for a room with a very high ceiling, creating great acoustics for rock bands. None tested this more than The Who, who recorded ‘My Generation’, ‘A Quick One’, ‘The Who Sell Out’, and ‘Tommy’.


Other era-defining music created here:
1. The Kinks – You Really Got Me
2. The Yardbirds – For Your Love, Happenings Ten Years Time Ago
3. The Easybeats – Friday on My Mind
4. Cream recorded their last studio album ‘Goodbye’ and parts of ‘Wheels Of Fire’.
5. Engineer/producer Glyn Johns recorded the Rolling Stones’ first demos in 1963.


In 1965 they were back in IBC to record “As Tears Go By”, either their own Italian version or the Marianne Faithfull version. Chas Chandler mastered several Jimi Hendrix records here and in the early 70s used it to record Slade. In the 80s, he bought IBC and renamed it Barn Studios. Situated in one of the most valuable real estate areas of central London, today it houses offices.

For more information, one of the studio’s engineers has created an extensive history web site: http://www.ibcstudio.co.uk/

IBC Studios, 35 Portland Place, London W1B 1QF


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Rock Shrine No. 43 – Central St. Martins School Of Art and Design [Joe Strummer]

Joe Strummer – or John Mellor as he was then known – began studying at Central in Sept 1970, one of over 400 applicants for the 60 available places. He wanted to be a cartoonist, though he told people he wanted to be in advertising. Joe later described the school as the “last resort of malingerers and bluffers and people who don’t want to work,” but it has long been one of the most prestigious art schools in Britain.

Graduates include a very long list of famous artists, actors, film makers and designers; musicians who went there include PJ Harvey, Jarvis Cocker, M.I.A., Vivian Stanshall and Neil Innes from The Bonzo Dog Band, Sex Pistol Glen Matlock and fellow Clash member Paul Simenon. It was where Malcolm McLaren and Bernard Rhodes went when they needed talented people to help when dreaming up The Sex Pistols.

One of these was Alex McDowell, who did all the silk screening of McLaren’s t-shirts and posters. He later designed album covers then co-founded The Oil Factory to make music videos. Moving to Los Angeles, he is now a production designer whose credits include Fight Club, Minority Report, Charlie and the Chocolate Factory, The Terminal, and Watchmen.

Central Saint Martins College of Art and Design Southampton Row, London WC1B 4AP

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Rock Shrine No. 44 – Rehearsals Rehearsals [The Clash]


On the evening of August 13, 1976, The Clash invited some music journalists and friends to Rehearsals Rehearsals to see them play. Even in the hyper-small Punk world of the time they had gone unnoticed, quietly scheming, writing and rehearsing an arsenal of songs. The lucky few walked out of the balmy evening into a brick walled room with a rock and roll backline at the rear. Behind it was a painted mural of a cityscape, all tower blocks and car dumps. The 4 x 12 speaker cabinets in front of them were painted dayglo pink.

After a suitable wait the group entered, walking purposefully in single file, Joe Strummer at the head. The bassist wore black, paint spattered Jackson Pollock style acros the fabric. One of the guitarists had wide stripes painted on his shirt. There were three guitarists. Without a word they broke into a racket best desrcibed by Sounds critic Giovanni Dadomo, who called them “a runaway train”. The music moved on rails, straight ahead and full of purpose, with short explosive solos that finished before you fully heard them. They moved to match the music; third guitarist Keith Levene was literally running up the back wall as he played. They played about 14 songs in 30 minutes, the essence of Punk: a short, sharp shock.

Just down the road from The Roundhouse, Rehearsals Rehearsals was an old Gin House at the end of of a row of Victorian stables. It sat in a near-derelict yard in a near-derelict part of town, the rail lines from Kings Cross and St. Pancras running behind it on their way to the North. Manager Bernard Rhodes had found it as a place for the band to work. The name came from someone complaining that all they did was “reharsals rehearsals”.

Upstairs were a couple of rooms covered in old film posters. The photo of them standing in front of “Untamed Youth” was taken here. It’s in these rooms that the band plotted, schemed, and painted their clothes, in the days before they had their uniforms designed for them.

Paul Simenon outside Reharsals Rehearsals. The car belonged to manager Bernard Rhodes. (Image from Rock Archive)

The band’s first album cover photo was taken here. The notorious “pigeon-shooting” incident in 1978 happened on the roof, when Paul Simenon and Topper Headon shot at passing pigeons with an air rifle, not knowing they were valuable racing pigeons.

There was always something to do at Rehearsals Rehearsals

The Clash left in 1982. Since then it has served as a retail outlet for a number of boutiques. The interior is mostly gutted and modernised. A row of apartments is being built where the stables used to be.

By the railway tracks. The Roundhouse is in the background. Apartments are being built where they stand. (Image from Rock Archive)

Rehearsals Rehearsals - The Gin House, Stables Market London, NW1 8AH


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Rock Shrine No. 45 – The Apple Store [The Beatles]


The Beatles’ accountants had bought 94 Baker Street as a financial investment for the group and it became temporary headquarters for Apple whilst 3 Savile Row was being renovated. But what to do with it after that… Pattie Harrison was familiar with a Dutch group called The Fool, who had run a boutique in Amsterdam, so in September 1967, The Beatles gave them £100,000 to design and stock a new Apple Boutique. The concept was that absolutely everything was for sale. It was ‘a beautiful place where beautiful people can buy beautiful things’.

The Fool engaged several dozen art students to paint a huge psychedelic mural across the entire front and side of the store which garnered instant complaints from local merchants. The City of Westminster had refused planning permission and the mural was only present for three weeks before the council threatened to repaint it and charge Apple for the privilege.




Invitations to the grand opening on 5 December 1967 read 'Come at 7.46. Fashion Show at 8.16.' The only drink available was apple juice. John and George were the only Beatles that attended.

The Boutique was a financial disaster and closed just 8 months later. On Tuesday morning, 30 July 1968, the staff was told to give everything away. The ‘beautiful place’ was no more. Today, somewhat ironically, the building is home to an employment agency.

Opening Invitation

Clothing Label

Apple Boutique, 94 Baker Street, London W1U 6FZ

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Rock Shrine No. 46 – The Scene (The Who)

The Scene Club in Ham Yard, Soho was thought of by many as Mod Central. It wasn't a hugely popular place filled to bursting with people, but more of an underground club where only the top mods hung out, and the whole mod style was created. The club's decor didn't match the smart cut of their clothes, being a bizarre dingy basement catacomb where the walls were padded and the floor was littered with cushions, but it was ideal for the pilled lifestyle they led, where you were buzzing into the early hours of the morning and needed a club that stayed open as late as 5am on a Sunday. The Goldhawk may have been a club for drinkers, but the Scene was definitely designed for pills.

Pete Townshend - "The Scene was really where it was at, but there were only about fifteen people down there every night. It was a focal point for the mod movement. I don't think anyone who was a mod outside Soho realised the fashions and dances all began there."

Ham Yard, London W1D 7DT

Rock Shrine No. 47 – Kensington Hypermarket [Jimi Hendrix, Queen]

One of the best shopping experiences of the 60s and 70s, Kensington Hypermarket was a multi-floor building filled with tiny stalls owned by budding clothes designers and retail wannabes. It was popular because they moved quickly with the times, with groovy psychedelic gear in the 60s, Biba and velvet rockstar knockoffs in the early 70s and punk clobber in ‘76 and ‘77.

Freddy Mercury owned one such outlet and it is here that Roger Taylor first met him.

On September 17, 1970, the last afternoon of Jimi Hendrix’s life, he went shopping with girlfriend Monika Dannemann and spent a good part of the afternoon here.

Although closed for many years it was only recently torn down and replaced with this nondescript office block.

Kensington Hypermarket, 49 – 52 Kensington High Street, London W8 6NS

Rock Shrines 21 - 30

Rock Shrine No. 21 – Eurythmics


Judging by his space-age bachelor pad, Dave Stewart is the coolest playboy in London. Dave is the musical mastermind of Eurythmics, one of the Travelling Wilburys, a studio owner, a solo musician, a man whose life is so perfect that in Japan one year he had his appendix removed because he couldn’t believe there wasn’t something wrong with his life. He lived in this glass penthouse during the ‘90s. An article on it in the Sunday Times showed a place filled with ultra-cool technology and hot ‘70s vintage furniture. Imagine an updated Austin Powers shag palace and you get the idea. This a la mode temple is on Seven Dials, right in the middle of Covent Garden. At the time he was living with Siobahn Fahey of Shakespear’s Sister and you could see them circulating the streets, usually arguing with each other. Historic note: in Victorian times Seven Dials was considered so dangerous at night that it was said you were lucky if you got to the other side alive.


Dave Stewart's Bachelor Pad: Seven Dials, Covent Garden, London WC2


Rock Shrine No. 22 – The Scotch of St. James


The first London rock star club was the Ad Lib but by 1966 it was passe and everyone was on to the next club – The Scotch of St. James. The area of St. James has a long history as a discreet playground for the louche, moneyed, and landed and The Scotch of St. James was the ultimate in discretion – in a small yard off a side street, reached only by an easily missed driveway.

Andrew Loog Oldham described it in 2 Stoned: “You'd knock at the door and be auditioned through a peep-hole. Once in you'd travel downstairs via the twisting staircase... The Beatles, the Stones, the Yardbirds, Eric Clapton, Long John Baldry, Keith Moon, the Searchers all starred in the main room on their nights off... Lennon and McCartney, Jagger and Richards and I and our ladies would sit back in a dark corner and smoke and gloat.”

Here’s a photo from 1965, starring The Merseybeats and Pattie Boyd (the future Mrs. Harrison/Mrs. Clapton aka “Layla”).


Forty years later it’s still a club.


The Scotch of St. James, 13 Masons Yard, London SW1 6BU


Rock Shrine No. 23 – Indica Gallery


One of the key addresses in psychedelic London. Indica Bookshop and Gallery was opened in 1965 by Barry Miles, Peter Asher and John Dunbar. Dunbar was a friend of The Beatles and married to Marianne Faithfull. Asher was the brother of Paul McCartney’s girlfriend Jane Asher, half of Peter and Gordon, and in the ‘70s the producer of James Taylor and producer/manager of Linda Ronstadt. Most cultural movements seem to be the result of serendipity and a few crucial people. English psychedelia – and The Beatles’ music - would be very different without Barry Miles. I knew him reasonably well in the early 70s, when he wrote for the NME. Considering the pivotal role he had in shaping global culture he was one of the quietest, unassuming people I’ve met. It came as a real surprise to learn of his background.

L-R: Peter Asher, Barry Miles, John Dunbar

The bookshop was one of the first places in London to sell beat poetry, Burroughs and other “alternative” literature. McCartney was a regular customer. It was here that John Lennon bought a copy of The Tibetan Book of the Dead, which partly inspired “Tomorrow Never Knows”. McCartney put money into the premises and helped build it. The wood needed for the shelves and counter was picked up by Dunbar and Miles in McCartney's Aston Martin. McCartney wielded a saw. Jane Asher donated the shop's first cash till, an old Victorian one she had played with as a young girl. McCartney helped to draw the flyers advertising the opening and also designed the wrapping paper. In 1966, the bookshop was separated from the gallery and moved to 102 Southampton Row. The Gallery promoted radical art ideas and radical artists (in its life it never exhibited paintings). One of those was Yoko Ono, who exhibited in late ’66.


On November 9, 1966 John Lennon stumbled out of his Rolls, into the gallery and up a ladder where a magnifying glass on a string let him read a tiny message on the ceiling: “Yes”. Yoko, in attendance, handed him a card which read, ‘Breathe’; thus did The Beatles’ second double-act meet. A few years ago Miles and Dunbar were interviewed about this famous meeting as part of a BBC documentary and were in fine debunking form. Interestingly, both had different memories but agreed that: Lennon was quite stoned, reacted positively to Ono’s artistic playfulness and conceptual ingenuity, and that Yoko knew very much who Lennon was and manouevred for conquest, despite her subsequent high-art assertions that she didn’t know who The Beatles were. (Miles claimed that she tried to get in the Rolls with John when it left.) Today, it’s still a gallery. Indeed, the yard seems to be made up almost entirely of art-related businesses. English place names can be quite literal and Masons Yard was just that – a place full of stone masons, with a large central area for the stone. Today it’s filled with the newest gallery, the White Cube, one of London’s leading art spaces.


John Dunbar on Indica

Photos of recreated Indica installations

Indica Gallery: 6 Masons Yard, London SW1 6BU


Rock Shrine No. 24 – Eric Burdon (and the Animals)


Ending our tour around Masons Yard, Dalmeny Court is where Eric Burdon had a flat in the mid-‘60s. Eric was lead singer in The Animals, a group who dealt a global Number One in 1964 with their first single, ‘House Of The Rising Sun’. They had original compositions as well (including the hilarious ‘Story Of Bo Diddley’) and starting in ’65 produced a string of fabulous hard hitting singles that, criminally, don’t get modern recognition. According to Eric’s memoir, Don't Let Me Be Misunderstood, “I was right above the Indica Gallery" (see Rock Shrine 23). Which also puts him right above the Scotch Of St. James, the coolest night club in town (see Rock Shrine 22). Which made getting home a cinch. And this a bachelor pad supreme.

Dalmeny Court, 8 Duke St, Westminster, London SW1Y


Rock Shrine No. 25 – Trident Studios


You’ve heard of hiding in plain sight. Trident Studio does just that. St. Annes Court is a busy pedestrian alley in Soho connecting two of it’s main streets. I’ve walked through it for decades, right past the Trident doorway, and never noticed it. Spot the studio:


Imagine these people walking towards you on their way to the studios: carrot-top spaceman David Bowie, satin ‘n’ tat T. Rex, overproductive Beatles, innocent Queen, wild-side Lou Reed. Check these in your collection: Hunky Dory, Space Oddity, Ziggy Stardust and Aladdin Sane, Electric Warrior, Transformer, the first two Queen albums, ‘Hey Jude’, ‘Martha, My Dear’, ‘Dear Prudence’, ‘Honey Pie’. Created here.

The view from the control room: Peter Gabriel at work.

It goes on: Elton (‘Your Song’, Tumbleweed Connection, Goodbye Yellow Brick Road), Nilsson (‘Without You’), Carly Simon (‘You’re So Vain’), Billy Preston, Mary Hopkins, James Taylor, George Harrison (All Things Must Pass), Lennon (‘Cold Turkey’), Dusty Springfield, Mahavishnu Orchestra, Free (‘All Right Now’), Frank Zappa, Mott The Hoople (‘All The Young Dudes’), Yes, Genesis (with Peter Gabriel), Peter Gabriel (without Genesis), and The Jeff Beck Group. The Rolling Stones effectively auditioned Mick Taylor here, recording mostly unreleased tracks with titles like ‘Potted Shrimp’ and ‘Leather Jacket’ as well as ‘Brown Sugar’.

Three producers made it their home: Gus Dudgeon, Tony Visconti, and Richard Perry. Why? [1] It was the first studio in Britian to have eight-track recording. [2] A 100-year old Bechstein concert grand piano with resin on the hammers, renowned for its sound. [3] Engineer Ken Scott, who cut his teeth on many of the greatest Beatles records. [4] A warm sounding room and a great sounding drum area.

The studio bill and McCartney’s notes for ‘Let It Be’

The two brothers who owned the place started modifying the desk and developed a very successful business building mixing desks. They started a video company in 1973 and developed another very successful business. The piano was restrung in the mid-70s and lost its distinct sound. In 1981 the strudio was sold.

Today’s it’s used for audio post production in TV, film and multimedia. The original control room is still pretty much as it was, though the desk faces the other way. The basement studio has been broken up into more studios and overdubbing rooms.


Every Thursday at 6pm, the public can go on a “Magical History Tour” of the studio’s past. Part of the experience is hearing a selection of the hits on big monitors. Heard back to back it’s obvious that all these records came from the same room: a fantastic drum presence, beautiful percussive piano, evocative vocal sound and warm, round strings.

Stairway to the stars

Trident Studios, 17 St. Anne’s Court, London W1F 0BQ

Rock Shrine No. 26 – RCA: The Clash


The Royal College of Art is best known as a centre of British art [Hockney, Kitaj, Conran…] but on November 5, 1976 it hosted A Night Of Treason, starring The Clash. Punk was going overground and the place was full of punks, the interested and students. The stage door policy was loose and backstage was as crowded as out front. The dressing rooms and corridors were seething with talent. Siouxsie Sioux was gathering her tribe to follow up the Punk Festival appearance. Billy Idol and Tony James were about to leave Chelsea (one time on stage) and start a band called Generation X. Adrian Thrills was starting a fanzine. Mark P was working on the next issue of Sniffin’ Glue. If Punk was an attitude then Subway Sect was as Punk as it got. They didn’t look or sound like anything else on a stage [before or since]. Their complete lack of showmanship and off-centre music really made you feel you were seeing something new. Then The Jam came on, all two-tone shoes and Shepherds Bush riffs. Somehow the sharp suits and Rickenbackers were at odds with the homemade fashions and Fenders of the Pistols and the Clash and backstage they sat apart from the other bands.
The Clash were incendiary. The sound was big and loud and they climbed all over their brace of songs like kids on a building site, crashing guitars and a rabble-rousing Joe. Then a student threw a beer glass. [Depressingly, it was always students who threw glasses and bottles.] Joe threw his arms above his head and shouted ‘Under heavy manners!’ He sought out the perpetrator, who got on stage. Joe questioned him and the guy looked sheepish. Then Sid Vicious got on stage, muttering into the mic and looking well-named. A few minutes later and they got back to the wonderful racket.

People used to say their life changed the first time they saw The Clash. This was the night when that scenario began.

Royal College of Art, Kensington Gore, London SW7 2EU


Rock Shrine No. 27 – The Vortex


The summer of ’77 – hot and heaving. The Summer of Punk. The year of The Vortex. Every Tuesday night 1500 punks would cram themselves into the basement of this club to see a double bill of the best new bands. You knew when a fresh shipment of Punk’s drug of choice was in town because if you entered straight the atmosphere was unpleasantly electric. Amphetamine sulphate was a 1!2!3!4! drug for 1!2!3!4! music. It cost a measly £15 a gram and one nostril stripping snort would keep you alert and charging for ten or twelve hours. The unholy trinity of 1977 was punk, powder and price. The punk-reggae interface started here, when Generation X played with a band from Birmingham called Steel Pulse. On stage it was all Rasta patois but in the dressing room they sounded as Brummie as Ozzy Osbourne. Ex-Pistol Glen Matlock started The Rich Kids here; Mick Jones was getting tired of no drummer in his band and injected a big dose of is-he-quitting paranoia into Camp Clash by guesting with Glen. Malcolm McLaren was putting his Sex Pistols movie together and had hired titilation director Russ Meyer. As wonderfully strange as Meyer’s movies were, in punk he was a tourist in a very strange land. My favourite image of The Vortex was watching Meyer – slacks, jacket and very big cigar – wandering disturbed and confused through the sea of punkettes in dog collars, torn fishnets and bad makeup. Thirty years later it’s a disco.

The Vortex, 201 Wardour Street, London W1F 8ZH


Rock Shrine No. 28 – Ivor Court (The Who, Rolling Stones)


Variously and together, from the autumn of 1964 to 1967: Rolling Stones drummer Charlie Watts lived here. The Who manager Kit Lambert both lived and had an office at no. 113 as he navigated the group from guitar-smashing debt to rock-opera riches. It was Lambert, the youngest in a line of upper-class artistics, who suggested to Pete Townshend he should write an opera. The result was ‘A Quick One’, paving the way for the much more ambitious ‘Tommy’. Rolling Stones and Immediate Records visionary Andrew Loog Oldham ran his offices at 138 and 147. Oldham is rightly famous for inventing the Stones, but he also signed The Small Faces. Oldham defined his moment of arrival as the point when he could decide which telephone calls to accept.

Ivor Court, Gloucester Place, London NW1 6BJ


Rock Shrine No. 29 – The Lyceum


One of the best venues in London for live music: good acoustics, wonderful rococo design and a roof that rolls back.

The Rolling Stones were here in 1969; when they played the Chuck Berry song “Little Queenie” a spotlight was shone on the hall’s portrait of Queen Elizabeth, possibly the first post-modern moment in rock music. In the days before Ticketmaster, the ticket line for The Who was several blocks long, nearly everyone a young man. The Clash and Queen played intimate dates here. At an all-nighter in the summer of ’76 the Sex Pistols supported The Prettythings. Madness, The Selector and The Specials kicked off Two-Tone with a riotous celebration in 1980.

But the reason we really remember it is for the momentous live recording by Bob Marley and the Wailers in 1975. The two nights he played were fabulously warm and the roof was open so all the cigarette and spliff smoke disappeared. When you looked up you could see stars in the sky. The stage was low and while it was hard to see more than the band’s heads and shoulders it meant you could get close and really be part of the experience. These things I remember: the dipping and swaying of the multi-coloured I-Threes, the nimbleness of the Barrett brothers as they drove one fabulous song after another forward off the stage, and the righteous militancy of Bob as he stepped across the stage, sang with sweet conviction and shook dem locks as the weak hearts dropped.

The Lyceum, 21 Wellington St, London, WC2E 7RQ


Rock Shrine No. 30 – 57 Wimpole St. (The Beatles)


From 1963 – 1965 Paul McCartney lived in rooms on the top floor of the family home of his girlfriend Jane Asher.

Lennon and McCartney wrote “I Want To Hold Your Hand” in the basement, “one on one, eyeball to eyeball,” as Lennon put it. During the three years he lived here it’s fair to say many other famous songs were either conceived or worked on here.

When Paul wanted to dodge fans he would duck into Browning Mews, which backs on the house.


Wimpole Street is one block from Harley Street, famous for its doctors, including the Dr. Robert immortalised in The Beatles song. Architecture fans should spend some time walking around the neighbourhood, it has some of the best residential architecture in London.

57 Wimpole St., London W1G 8YW

Rock Shrines 13 - 20

Rock Shrine No. 13 - Air Studios

When George Martin produced The Beatles he was on an EMI salary – no royalties for him. In 1969 he left the company and established Air Studios at Oxford Circus. See that row of windows above the ledge and below the roof? That was Air Studios. Probably the only recording studios on the fifth floor.

As you would expect, the best artists in the world passed through these rooms, including Kate Bush, Genesis, Procul Harum, The Pretenders, and Roxy Music, who recorded their second album ‘For Your Pleasure’ here. I was writing an article on them and abused my privilege to come back several times to watch them mix and finish the album. So I can tell you that “Bogus Man” was several minutes longer and had to be trimmed to fit on a vinyl record.

It was always very odd to look out the windows and realise you were five floors up.

In 1991 the lease ran out and Air moved to a church in Hampstead.

It’s at Oxford Circus, above Nike Town.

Rock Shrine No. 14 - The Rock Garden

The Rock Garden was the first British venue for Talking Heads. They played in a small basement room in early 1977 and Brian Eno was in the audience. It was a strange affair; the band were nervous and we were curious. But Brian saw something special, because this is where he introduced himself to the band. The start of a beautiful friendship.

It’s at 6-7 The Piazza at Covent Garden.

Map Location

Put this post code into Google Earth and go for a ride: WC2E 8HB

Rock Shrine No. 15 - Kings Cross Cinema

In June, 1972 The Stooges played their one UK concert at the Kings Cross Cinema. It was a midnight gig, which meant that first of all a lucky bunch of us drove up to Aylesbury (about 30 miles north of London) to see David Bowie being Ziggy Stardust.

It wasn’t the best show I’ve ever seen, but it was the most nervous. Iggy had a verrrrry long mic cord and wandered into the audience a lot. He sat on a girl’s lap and sang right into her eyes. He grabbed one guy by the side of his head and shook it really fast. You had no idea what he would do next and it made for a very tense atmosphere.

The band were…The Stooges! James Williamson stood in one spot in front of a double Marshall stack ripping off big riffs and noise. The Ashetons made rhythtm thunder. They played a lot of Raw Power, though we didn’t know that, mixed in with TV Eye, Dog, 1969 and others. At one point the sound screwed up and with a shout of rage Ig hurled the mic against the stage floor. It bounced about a foot into the air in three or four pieces, in a line like an illustration from a manual. While it was fixed he stood alone in the middle of the stage and started singing ‘The Shadow Of Your Smile’ in his best Frank Sinatra voice. He sang it really low so everyone shut up to hear it. It was beautiful. The back cover of Raw Power is from that show.

Today it’s a cinema and club called the Scala, at 275 Pentonville Rd., near Kings Cross station.

Map Location

Put this post code into Google Earth and go for a ride: N1 9NL

Rock Shrine No. 16 - Hammersmith Palais

“Midnight to six, man, For the first time from Jamaica
Dillinger and Leroy Smart, Delroy Wilson, your cool operator”

On June 5, 1977 Joe Strummer from The Clash went to a concert he expected to be a celebration of the roots reggae we were all listening to that year. Instead he got “Four Tops all night with encores from stage right” and poured his frustration into their best song.

The Palais opened in 1919 to host jazz bands and was a popular dance venue until the Fifties. On the back of the building a mural remains from – probably – its opening promoting the dances.

In the early to mid Seventies it was a popular venue for reggae concerts, then for bands such as PiL, The Cramps and Soft Cell, and finally for British Asian dance acts. Ten years ago Elton John held his 50th birthday here.

On 22nd January 2007, the Palais was condemned to be demolished. There will be a series of concerts over the next few days, climaxing on 31st March with former Clash-man Paul Simonon playing in his new band The Good, The Bad and The Queen.

It’s at 242 Hammersmith Road, just up the road from Hammersmith tube station.

Map location

Put this post code into Google Earth and go for a ride: W6 7NL

Rock Shrine No. 17 – Hammersmith Apollo

It’s now called the Hammersmith Apollo, but true music fans call it by its real name: The Hammersmith Odeon.

Originally a cinema, this imposing piece of post-Art Deco has been a consumate London venue for over 40 years. Almost everyone has played here, from Ray Charles and Chuck Berry through Bobby Womack to Pharell Williams. The list of legendary concerts include all The Beatles Christmas Shows, Emmylou Harris with James Burton, a week of Bob Marley and a week of Erasure. At different times both Blondie and Tom Petty made their acquaintance with the UK here. Kanye West is playing three nights next week – followed a week later by Toto. It’s an inclusive place.

Ziggy Stardust emotionally retired on this stage in 3 July, 1973. Two years later Bruce Springsteen made a disastrous UK debut, returning a few days later in triumph. Bowie came back in 2003, Bruce in 2005 and both of them made constant references to their previous visits. (A friend was singing in Bruce’s band and said he kept looking like he was seeing ghosts.)

Of the many times I’ve been in this place, the standout is Neil Young and Crazy Horse in March, 1976. We knew he was playing new songs [Hurricane] but no idea he was full of jumbo jet volume’d dissonance and feedback. This was the first time the mad Neil attack was unveiled and the place responded with a roar as loud as the ringing in our ears. After they stopped no-one left. For 45 minutes we riotously demanded an encore until the band came out. They didn’t know we were still there until they heard the noise as they came back to play for the fun of it.

The Odeon is at Queen Caroline Street Hammersmith London W6 9QH.

The Hammersmith Palais (Rock Shrine 16) is up the road a few hundred yards.

Map Location

Put this post code into Google Earth and go for a ride: W6 9QH

Rock Shrine No. 18 – The Palladium

The Palladium is one of London’s venerable institutions and the cream of the world’s entertainers have played here. The building was originally a circus and then an ice rink before becoming a theatre in the ‘20s. Everyone’s been here – Ellington, Garland, Crosby, Fitzgerald, Sinatra, Sammy Davis, Jr., Danny Kaye, and Johnnie Ray (the Nabob of Sob) among them.

Its rock and roll fame is just as extensive. The TV show Sunday Night at the London Palladium introduced The Beatles to national TV, where Lennon famously told the rich people to “rattle your jewellry”. The Rolling Stones added to their delinquient image by refusing to ride the rotating stage that traditionally closed the show. (What innocent times!) Slade played a raucous week as part of the celebrations to mark Britain joining the EU and you could see the balcony moving from the stamping fans. Marvin Gaye recorded a live album in 1976. I saw John Denver here!

Brian Epstein’s offices were next door at 5-6 Argyle Street and is where Lennon gave the interview saying The Beatles were more famous than Jesus.

Argyle Street is just off Oxford Circus.

Map Location

Put this post code into Google Earth and go for a ride: W1F 7TF

Rock Shrine No. 19 – Ziggy Stardust

The location for a very famous album cover.

Although the brickwork has been painted and the evocative K. West sign has gone, the rest is remarkably untouched.

In 1977 Generation X knew how to make a cool reference to the past.

23 Heddon Street is off Regent Street a few hundred yards from Picadilly Circus.

Map Location

Put this post code into Google Earth and go for a ride: W1B 4RA

Rock Shrine No. 20 – Apple HQ

3 Saville Row must be one of the most famous addresses in Britain. This was Beatles HQ when they formed Apple Records, famous for the rooftop concert recorded for the film Let It Be.





When they weren’t on the roof they were in the basement studio. Here’s a photo of the mixing desk:

When George visited San Francisco and the Haight Ashbury in 1967 he somehow invited a couple of Hells Angels to visit him in London. Sure enough they showed up six months later with a retinue of friends, including the actor Peter Coyote (he was a radical hippie back then) and author Ken Kesey.

Saville Row is one part of London that’s resistent to change and therefore looks almost exactly as it did then. Next door is Gieves and Hawk, tailors to the royal household. Across the street is the back entrance of The Albany, the best address in London. Terence Stamp has lived here for more than 40 years.

Stamp shared a flat with Michael Caine before he got famous and moved here. If ‘60s Caine was movie cool then ‘60s Stamp was rock star cool. In Sean Levy’s highly readable history of Swinging London, Ready Steady Go he ends the book with an image of Stamp slipping quietly out this back door while The Beatles play on the roof.






Apple HQ, 3 Savile Row, London W1S 3PB

Map Location

Put this post code into Google Earth and go for a ride: W1S 3PB